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Chris Hansen has expressed his disdain for A24's film 'Primetime', calling it an insult to his legacy and the serious nature of his work.

In a recent interview with The Hollywood Reporter, Chris Hansen condemned A24's film Primetime, labeling it an "insult" to both his legacy and the serious subject matter of his investigative work. This announcement comes on the heels of the film's premiere at the Venice Film Festival on September 5, 2026.
Directed by Lance Oppenheim, Primetime dramatizes the controversial Dateline NBC series To Catch a Predator, which features Hansen's hidden-camera investigations targeting sexual predators. Hansen, who has yet to view the movie, expressed strong objections to its portrayal of his professional life, as he feels it distorts the realities of his work for dramatic effect.
According to Hansen, the film's creators did not consult him or accurately represent the events depicted. He criticized Hollywood for taking liberties with real people’s lives, specifically mentioning Harvey Weinstein's past as a significant predator in the industry. Hansen stated that Hollywood’s approach aligns with predatory behavior rather than responsible storytelling, suggesting that the filmmakers preferred a darker narrative over authenticity.
Hansen's critique falls amid a broader conversation about the responsibility of filmmakers to consult the real-life figures they depict. He expressed disappointment that Primetime misrepresents an important issue under the guise of entertainment rather than informing the public honestly.
The film features a critical incident involving Louis William “Bill” Conradt Jr., a district attorney who tragically took his own life amid a sting operation broadcast by Hansen's team. Hansen firmly stands by the transparency and legality of his investigations and insists that Primetime mischaracterizes the circumstances surrounding Conradt's death.
He remarked that while the makers of Primetime may have elevated certain aspects for drama, the core facts of the case should hold merit over sensationalism. Hansen affirmed that there were no secrets in his reporting of the incident and criticized the film for misrepresenting the dedication of law enforcement and journalists committed to protecting children from predators.
Amid the backlash against Primetime, Hansen indicated that he is exploring potential legal avenues, yet he also noted the high bar for defamation cases involving public figures in the U.S. Hansen's reluctance to label himself as furious about the film also highlights his recognition of the broader media landscape, though he is adamant about protecting his image and legacy.
Hansen recently took out advertising space in theaters screening Primetime, promoting his true-crime streaming network, TruBlu, alongside Primetime showings. This strategic move aims to inform audiences about the original work he continues to produce while emphasizing the real impact of investigative journalism.
Hansen's condemnation of Primetime signifies the complex interplay between media portrayal and real-life consequences, particularly in the realm of investigative journalism. As audiences grapple with the dramatizations portrayed in films like Primetime, Hansen's call for accountability resonates in ongoing discussions about ethics in storytelling. With Primetime set to release in theaters on September 25, 2026, the conversation regarding the balance between entertainment and factual integrity will likely continue to evolve as viewers engage with Hansen's legacy through both the film and his current projects.
Read more about Hansen's ongoing work in true crime with TruBlu here.
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