Taron Egerton leads the cast in 'Everybody Wants To F*ck Me,' a comedy-horror film directed by Jonathan Schey about a womanizer's predatory behavior.
On September 14, 2026, The Hollywood Reporter announced the debut of Everybody Wants To Fck Me*, a new film featuring Taron Egerton in the role of a deceptive womanizer. The movie marks the directorial debut of Jonathan Schey and also stars Jessica Henwick and Charly Clive. This dark comedy transitions into horror as it explores themes involving male predation and performative feminism.
In this layered narrative, the plot unfolds around Egerton's character, Adam, who utilizes soft masculinity as a tactic to attract women. Objects around his character, such as a poster of Agnès Varda and his choice in literature, emphasize his attempt to present himself as sensitive and cultured. However, the film quickly veers into a more surreal exploration of gender dynamics and the consequences of deceitful behavior in dating.
Adam's journey includes an encounter with Sofia, played by Henwick, who sees through his pretenses. Their relationship becomes a turning point as Adam faces unexpected challenges, including a mix of supernatural and physical horror elements that reveal the impact of his actions on those around him.
This film is important not only as Schey's first feature but also as a commentary on modern masculinity. With a runtime of 1 hour and 43 minutes, Everybody Wants To Fck Me* shifts between genres from dark comedy to horror, although some critics note that this ambitious blending may lead to incoherence at times. The cinematic journey seems to struggle with maintaining a cohesive message, often veering away from substantial commentary on predatory behaviors.
Critics noted that despite the initial setup's promise, the film lacks sufficient exploration of its themes, leaving viewers wondering about its final message. The emphasis on flashy direction over substantive commentary has raised questions about its impact and resonance with audiences.
With its provocative title and unique premise, Everybody Wants To Fck Me* is expected to attract attention at film festivals, particularly at the Toronto International Film Festival, where it is featured in the Special Presentations section. The combination of humor and horror, revolving around a character who embodies contradictions, presents a potentially engaging experience for viewers.
While the film’s nuances and character complexities could challenge its audience, whether it succeeds in its explorative goals remains to be seen. The overall reception will likely hinge on how effectively it navigates its themes and balances dark comedy with genuine commentary on relationships and gender.
As Everybody Wants To Fck Me* makes its festival rounds, critical reception will shape future discussions in both popular and academic contexts. The film may provoke dialogue surrounding masculinity and relationships, potentially influencing future cinematic explorations of these themes. However, it's yet to be determined how well the film's multifaceted narrative will resonate beyond initial screenings.
For more insights on recent releases, check out our reviews of Lemonade and Knife: The Attempted Murder of Salman Rushdie.
Entertainment news
EpisodeBreakdown may use automated tools to assist research, drafting, and formatting. Published pages are governed by our editorial and corrections policies, and source links are shown when they are available in the article record.
Discovery source: The Hollywood Reporter. The source identifies where the topic was discovered; EpisodeBreakdown is responsible for the commentary published on this page.
Reader response
Reactions and poll results are based on real reader responses. No account is required.
