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‘Hamilton’ grossed $2.5 million on Broadway with Chris Jackson’s return, while 'School Girls' kicks off previews. Here’s what that means for audiences.

In a significant boost for Broadway, ‘Hamilton’ has achieved a gross of $2.5 million tied to the return of original cast member Chris Jackson. This development was announced on September 15, 2026, according to The Hollywood Reporter.
Jackson's return marks a meaningful moment for the production, as it re-engages audiences and draws attention back to a show that has consistently ranked among the highest-grossing Broadway performances. The $2.5 million revenue figure reflects an increase of more than $350,000 from the previous week, highlighting Jackson's influence and the loyal fanbase that ‘Hamilton’ has cultivated.
Following ‘Hamilton’, other popular shows also posted impressive totals. ‘The Lion King’ earned $1.66 million, while ‘Harry Potter and the Cursed Child’ brought in $1.54 million. Notable performances included ‘MJ’ with $1.51 million and ‘Wicked’, which re-entered the top five with $1.2 million. Close behind was ‘Oh, Mary!’, featuring Meg Stalter in her final week of performances, grossing $1.1 million before transitioning casts to Bowen Yang.
The week also marked the beginning of previews for ‘School Girls; Or, The African Mean Girls Play’. This production commenced performances at the non-profit Samuel J. Friedman Theatre and reported an impressive 97% capacity, demonstrating solid early interest ahead of its official opening set for September 28. The show brought in $270,461 across seven performances, a robust start that bodes well for its future.
Despite the high grosses for some shows, the broader market faced challenges with an overall downturn in grosses by nearly 5% from the prior week, attributed to the waning summer season and Rosh Hashanah. However, overall attendance did increase by 1.4%, suggesting a potential influx of Broadway-goers as the Broadway Week promotion kicks off with discounted tickets in the fall.
Interestingly, while many shows experienced declines, ‘Chicago’ saw an increase in revenues, rising by $180,000, supported by the Broadway debut of Reece Weaver, recently featured in Netflix’s “America’s Sweethearts: Dallas Cowboys Cheerleaders.” This uptick reflects the ongoing efforts of shows to attract new audiences amid fluctuating attendance rates.
The return of Chris Jackson to ‘Hamilton’ not only revitalizes interest in the show but also signifies the importance of original cast members in sustaining audience engagement. The strong early turnout for ‘School Girls’ suggests a promising start for new productions on Broadway. As the season transitions and promotional efforts ramp up, the industry may see a changing tide in attendance and revenues, setting the stage for an engaging fall.
The interconnected nature of box office performances highlights both the challenges and triumphs of Broadway, with fans likely to continue supporting their favorite productions as they seek out diverse theatrical experiences.
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