Transformers One Remains an Underrated Classic Two Years Later
Two years post-release, Transformers One is praised as the ultimate film in the franchise, despite its box office struggles.
Marking the 12th anniversary of Tusk, Kevin Smith's polarizing film, which gained a cult following despite mixed reviews and mainstream mockery.

Today marks the 12th anniversary of Kevin Smith's unconventional film Tusk, which was released on September 19, 2014. Despite being widely criticized by mainstream audiences, it has found a cherished place among the director's die-hard fans, as reported by ComicBook.com.
Tusk originated during a podcast episode titled "SModcast 259: The Walrus and The Carpenter." In this episode, Kevin Smith discussed an article about a bizarre personal ad offering free housing to anyone willing to dress up as a walrus. This peculiar concept sparked a lengthy conversation between Smith and his longtime collaborator Scott Mosier, leading Smith to develop a film around it. The film’s contentious yet memorable ending—where the protagonist, Wallace, literally becomes a walrus—was a highlight in the podcast that prompted the movie’s creation.
Upon its release, Tusk received mixed reviews. Critics had diverging opinions; The Seattle Times called it "disgusting and pointless," while IGN praised it for being "funny, strange, disquieting, and occasionally gory." The film's unconventional narrative and disturbing themes made it a challenging watch, and it performed poorly at the box office. However, Tusk has evolved into a minor cult film, likely due to its strangeness and Smith's distinct storytelling style.
The plot of Tusk focuses on Wallace (played by Justin Long) and his friend Teddy (Haley Joel Osment), who host a podcast that targets eccentric individuals for their entertainment. When Wallace travels to Canada for an interview with a social media personality who has died, he encounters Howard Howe (Michael Parks), a man with an obsession for walruses. This peculiar relationship leads to a series of grotesque and bizarre events, culminating in Wallace’s transformation into a walrus-like creature. The film closes with a notably absurd and emotional scene, solidifying its reputation as one of Smith's most memorable works, particularly for its humor and unconventional narrative.
Tusk was Smith's first major release after the critical and commercial setbacks of his 2010 film Cop Out. By embracing a strange concept rather than attempting to create a mainstream hit, Smith aimed to reconnect with his audience on a different level, though the film's reception was far from universally positive. Nonetheless, this daring move demonstrated Smith's willingness to experiment, which resonates well with his fanbase.
The 12-year reflection on Tusk serves as a reminder of the diverse responses to Kevin Smith's work and underscores the transformative potential of niche films in contemporary cinema. As Tusk continues to straddle the line between unacceptable and oddly endearing, it reinforces Smith's unique place in film history, challenging viewers to embrace the weird alongside the comedic.
For more insights into Kevin Smith’s projects, check out our articles on Jim Carrey Reflects on His Last Comic Book Movie 13 Years Later and Dear Kevin: Smith Announces a New Podcast Series that explore his diverse contributions to film and media.
Entertainment news
EpisodeBreakdown may use automated tools to assist research, drafting, and formatting. Published pages are governed by our editorial and corrections policies, and source links are shown when they are available in the article record.
Discovery source: ComicBook.com. The source identifies where the topic was discovered; EpisodeBreakdown is responsible for the commentary published on this page.
Reader response
Reactions and poll results are based on real reader responses. No account is required.