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Dirty Monkeys’ ‘Once Upon a Time in the Middle East’ has crossed the $300 million threshold at the Chinese box office, dominating for four consecutive weekends.

Dirty Monkeys’ war comedy-drama, ‘Once Upon a Time in the Middle East,’ has officially crossed the $300 million mark at the mainland China box office, according to a report by Variety. The film achieved RMB82.6 million (approximately $12.1 million) in earnings over the weekend of September 4–6, maintaining its position as the top movie for the fourth consecutive weekend.
The film has accumulated a total gross of $305.6 million since its release on August 11, marking a significant achievement in the current cinematic landscape. This sustained success positions the film as a major player in the Chinese box office, illustrating its broad appeal among viewers.
Directed by Wen Muye, known for his previous hit ‘Dying to Survive,’ the film features a script co-written by Lang Qunli and Wei Zhong. The narrative centers around Shen Teng, who plays a financially troubled chef in the Middle East. Alongside his floor manager, portrayed by Jiang Qiming, his eatery becomes a critical shelter for civilians and orphans amid escalating regional conflict. The supporting cast includes notable actors like Aarif Rahman and Omar Sherif.
In the latest box office update, the second spot went to Pearl River Film Group's crime thriller ‘V,’ which added $7.9 million in its third weekend, bringing its total to $75.4 million. Following closely, Universal's ‘The Odyssey’ collected $5.5 million, while Pearl Studio’s animated feature ‘All Wishes Come True!’ secured $4.8 million. Capstone Pictures' ‘Fall 2: Deadpoint’ debuted in fifth place with earnings of $3 million over the opening weekend.
The overall box office performance in mainland China reached $41.9 million for the weekend. However, year-to-date revenue is reported at $4.21 billion, reflecting a 27.8% decline compared to the same period the previous year. This context underscores the significance of ‘Once Upon a Time in the Middle East’ in buoying box office numbers amid a challenging market.
The strong performance of ‘Once Upon a Time in the Middle East’ indicates a recovery trend for the Chinese box office, showcasing the potential for local productions to engage audiences effectively. As box office dynamics evolve, films like this may pave the way for more diverse narratives that resonate both locally and globally. The continued success of the film could inspire similar projects that blend humor with poignant social themes, ultimately shaping audience expectations and market strategies in upcoming releases.
For further reading, see our coverage of the Summer Box Office Achieves Historic Milestone and Venice Audience Celebrates Italian Horror Film.
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