During DoKomi 2026, the German-Japanese duo SOSOSO tokyo_berlin shared insights on their music and performance approach, blending pop, rock, and punk.
During their recent appearance at DoKomi, the German-Japanese duo SOSOSO tokyo_berlin spoke with Anime Corner about their musical journey, performance style, and inspirations. The interview took place prior to their performance at the horror-themed event "Akuma no Mori", highlighting the duo's dynamic approach to live shows.
In their discussion, German producer DRFTR explained how the group's name, SOSOSO, draws from a Japanese conversational habit. The repeated phrase conveys acknowledgment and agreement—something that resonates across various languages. The addition of "tokyo_berlin" aids in online discoverability, a crucial aspect for artists working primarily in live performance. DRFTR noted that the duo initially chose to prioritize performing at events over expanding their social media presence, leading to performances across multiple countries.
SOSOSO tokyo_berlin prides itself on an energy-infused performance style that combines elements of pop, rock, and futuristic punk. As explained by DRFTR, their music is designed for active engagement rather than passive listening, making their shows feel like energetic celebrations that draw audiences in. They have performed everywhere from metal festivals to conventions, adapting their setlists to suit the atmosphere and audience preferences. Miyu, the Japanese vocalist, stressed that despite her background in modeling, she has found great enjoyment in singing, bringing a unique perspective to their performances.
Both members articulated a strong connection to the cultural landscapes of Berlin and Tokyo, noting that while the two cities are distinct, they share an underlying edginess reflected in their music. DRFTR mentioned that their tracks often explore darker themes, making their performances relatable to fans who are looking for an escape from real-world issues. The duo expressed an interest in evolving their live setups, potentially incorporating a full band, although they acknowledged the challenges in organizing such an ensemble.
The duo views conventions as vital spaces for self-expression, where attendees can escape from everyday problems and connect through shared interests in music and culture. SOSOSO tokyo_berlin's participation in events like DoKomi serves not only as a performance platform but as a way to foster community and creativity among fans and artists alike.
The insights shared by SOSOSO tokyo_berlin during their interview at DoKomi contribute to the understanding of how cultural exchange and vibrant live performances can enrich the anime and convention scenes. With their dynamic back-and-forth between languages and genres, the duo represents a cross-cultural artistic collaboration that resonates with audiences seeking fresh, engaging entertainment experiences. Readers interested in exploring the future dynamics of music and pop culture at conventions will find SOSOSO's approach significant to the evolving landscape of live events.
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