Taylor Swift has never won a Grammy for Record or Song of the Year despite having 15 No. 1 hits, and she now faces a critical choice for her 2027 submissions.
Taylor Swift has made headlines recently, as it was reported by Variety on September 9, 2026, that she has never won a Grammy Award for either Record of the Year or Song of the Year. Despite being a dominant force in the music industry, Swift has amassed 14 Grammy wins, primarily for Album of the Year, but her lack of recognition in these significant categories continues to be a perplexing oversight.
As she looks toward the 2027 Grammy nominations, Swift has three No. 1 hits that are eligible for submission: "The Fate of Ophelia," "Opalite," and "I Knew It, I Knew You." This presents her with a pivotal decision. As discussed in the Variety article, her choices could greatly influence her chances of finally securing a win in these coveted categories.
Swift's unique position arises from the fact that she has dominated the Album of the Year category, winning four times for her albums "Fearless," "1989," "Folklore," and "Midnights." Yet she has never won the top single categories. This striking contrast raises questions about how the Recording Academy views her contributions to singles versus albums. The decision on which song to submit could similarly reflect this narrative surrounding her career.
"The Fate of Ophelia": This song broke records, including the most weeks at No. 1 for Swift, and became widely recognized thanks to its engaging music video that has spurred numerous viral trends on social media. Given its popularity and media attention, it may stand as her strongest contender for Record of the Year.
"Opalite": Although beloved by fans and considered catchy, it struggled to maintain its position at No. 1, appearing less likely to be a top choice for Grammy consideration compared to its peers.
"I Knew It, I Knew You": As the theme song for "Toy Story 5," this track has enjoyed recent popularity and may resonate more with Grammy voters due to its association with a high-profile film. This song might also benefit from a potential Oscar campaign, positioning it favorably among voters.
As the submission window approaches, Swift can potentially submit different tracks for the Record of the Year and Song of the Year categories, although artists usually choose to submit the same song for both. The final decision will reflect her strategy to navigate these categories, balancing between commercial success and critical acclaim.
Academy members will receive their preliminary ballots on October 12, with speculation surrounding Swift's submissions. The decisions she makes could alter her longstanding Grammy narrative, impacting both her legacy and future awards considerations.
What this means: Fans will be eagerly awaiting Swift's submissions, hoping that she finally secures a Grammy win in the categories that have eluded her.
For related updates on Swift's Grammy journey, check out our articles on her collaborations and projects: Taylor Swift Namedakes Newly Discovered Plant-Eating Insects and Paul Mescal, Emma Corrin, Emilia Clarke Lead National Theatre's 2027 Productions.
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