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The adaptation of Stendhal's ‘The Red and the Black’ starring Victor Belmondo explores ambition and power.

On September 7, 2026, news broke via Variety about the series ‘The Red and the Black,’ an adaptation of Stendhal’s 1830 novel. This project features Victor Belmondo in the lead role of Julien Sorel, a young man striving for greatness amidst a backdrop of political intrigue and social ambition.
Produced by Siècle Productions for France Télévisions, the series makes its international market debut following screenings at Canneseries and the Italian Global Series Festival. This four-part series aims to explore the complexities of its source material, a task that director Gaël Morel acknowledges as challenging due to Stendhal's intricate narrative encompassing various characters, social classes, and moral dilemmas.
Under the direction of Gaël Morel, who has previously collaborated with Belmondo on the relationship drama To Live, to Die, to Live Again, this adaptation promises a contemporary take on a historical narrative. The writing team includes Georges-Marc Benamou and Gilles Taurand, known for their work on projects like The Last Mitterrand. Morel aims to distill the novel’s themes of ambition and social mobility into a format suitable for modern audiences, highlighting how these persistent issues remain relevant in today’s social climate.
Benamou notes the timeless and universal appeal of Stendhal’s literature, emphasizing that despite being set in the 19th century, the story of Julien Sorel and his struggles reflects ongoing contemporary themes. These include social mobility, moral hypocrisy, and women’s emancipation, which are relevant issues in modern society. Morel elaborates on Sorel's anti-romantic nature, making it clear that this adaptation focuses on the protagonist’s ambition rather than fitting a typical romantic hero narrative.
This reinterpretation aims to attract traditional fans of classic literature and newer audiences seeking relatable stories. The presence of Camille Razat (famous for Emily in Paris) and Virginie Ledoyen (seen in At Work) further supports the series' appeal across generational lines, as it seeks to bridge classic literature and modern storytelling.
International sales of the series are handled by Wild Bunch, which is strategically positioned to capitalize on the growing interest in serialized adaptations of classic novels. As noted by Diana Bartha, head of international sales and acquisitions at Wild Bunch, ‘The Red and the Black’ aims to combine strong emotional connections with familiar narratives, tailored to contemporary audience tastes. This multifaceted approach to storytelling not only seeks to revitalize interest in Stendhal's work but may also invigorate the market for literary adaptations.
The announcement of ‘The Red and the Black’ adaptation marks a significant moment for classic literature enthusiasts and viewers looking for nuanced television dramas. By infusing 19th-century themes with 21st-century relevancies, this series may resonate with a wide audience, facilitating discussions around enduring societal issues. The production team’s commitment to remaining faithful to the spirit of Stendhal’s work while translating it into a gripping visual narrative suggests a promising addition to the contemporary television landscape.
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