Protagonists Who Stole the Spotlight in 5 TV Shows
A new report from ComicBook.com highlights five TV shows where the main character is surprisingly the least interesting, including 'Orange Is The New Black' and 'Gilmore Girls'.
Family Matters transformed from a classic sitcom into a wild sci-fi show, focusing on Steve Urkel's antics, culminating in a bizarre series finale.

Family Matters, originally a spin-off of Perfect Strangers, evolved from a traditional family sitcom into a wildly imaginative sci-fi show. This notable transition has garnered renewed attention and discussion regarding its lasting impact on television comedy. As reported by ComicBook.com, the series initially followed the Winslow family and gained popularity due to the inclusion of Steve Urkel, whose character took center stage and reshaped the show's identity.
The ordinary premise of Family Matters swiftly changed when Steve Urkel, portrayed by Jaleel White, began as a one-off character and soon became the focal point of the series. His quirky personality and comedic timing captivated audiences, leading to a significant shift in the show’s tone by its second season. As Urkel’s shenanigans escalated into outlandish storylines, viewership surged, with the show averaging between 14 and 26 million viewers across its seasons on ABC and CBS.
The character’s wild inventions and sci-fi antics, such as the Urkelbot and the debut of his alter ego, Stefan Urquelle, further pushed the boundaries of the original premise. This move toward exaggerated and fantastical elements was unexpected for a sitcom of its time and played a critical role in maintaining its popularity.
Despite increasingly absurd plotlines that strayed from the working-class struggles common in earlier episodes, Family Matters managed to retain a dedicated fan base. Memorable escapades included Urkel concocting mutant termites, shrinking himself and his neighbor Carl, and even setting off an atomic bomb in a dream. This peculiar mix of grounded family moments—like discussions on racial profiling—alongside zany sci-fi narratives illustrated the series' strange duality.
The culmination of Family Matters was as outlandish as the show had become. In the two-part series finale titled "Lost in Space," Urkel's journey to become a space traveler conflicted with his romantic commitments, culminating in typically improbable, sci-fi-themed escapades. Though it tied back to the absurdity fans had come to expect, the finale received mixed reactions. The juxtaposition of a serious subplot involving Eddie Winslow, who becomes a police officer and faces life-threatening challenges, alongside the fantastical space adventure underscored the show's unique yet sometimes conflicting blend of genres.
Family Matters stands out in the 90s sitcom landscape not merely for its genre-defying transition but also for its representation of a Black middle-class family, which was a significant shift from the typical sitcom formula of the time. Its ability to combine humor with relatable social issues and whimsical sci-fi fare has solidified its place in television history.
The discussion around Family Matters reflects how innovative storytelling can redefine genres and resonate with diverse audiences. As viewers today explore the series, its narrative evolution from heartwarming family comedy to surreal sci-fi escapades continues to stir interest and provoke reflection on the boundaries of television storytelling. For fans and new viewers alike, Family Matters remains a fascinating case study of successful genre blending in comedic television.
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