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Ian Brennan discusses the ten-season plan for ‘Monster,’ unveiling details about the upcoming season featuring Lizzie Borden as the first female serial killer.

Ian Brennan, co-creator of the acclaimed Netflix anthology series Monster, has outlined an ambitious 10-season plan for the show, centering the fourth season on the infamous Lizzie Borden. This announcement was made in an interview with The Hollywood Reporter, shedding light on the creative processes that steer the show's direction.
Brennan revealed that the initial focus for this season was meant to be the Luigi Mangione story; however, the pivot to Borden was influenced by Ryan Murphy’s long-held desire to explore the case of the late 19th-century axe murderer. Borden is notably the first woman highlighted in the series, representing a shift in perspective as the narrative turns to female serial killers. This focus allows for a deeper exploration of themes surrounding female rage and societal constraints.
The fourth season, titled Monster: The Lizzie Borden Story, dives into the notorious 1892 murders of Borden's father and stepmother. It features eight episodes and attempts to present Borden not just as a historical figure but as a reflective subject of sympathy. Brennan emphasized that selecting a relatable 'monster' is a complicated task; fewer women have committed murder, making their stories intriguing and deserving of exploration.
Brennan described the process of writing the season as almost organic once the focus shifted to Borden. He states, "It feels so obvious like, 'We should do a woman now.' But it was much more organic than that," indicating that the direction became clear once discussions about women in true crime narratives began.
Ella Beatty leads the season as Lizzie Borden, joined by a talented cast including Charlie Hunnam and Rebecca Hall as her father and stepmother. Vicky Krieps takes a dual role, portraying both the housekeeper and Elizabeth Bathory in flashbacks. Brennan remarked on the challenges of casting, noting that it was after a long search that Beatty emerged as the perfect choice.
In telling Borden's story, the series does not shy away from creative liberties. Brennan explained how historical accuracy can sometimes limit narrative development, asserting the importance of filling in gaps to deliver a fuller story. This approach allows them to explore the emotional landscapes of their characters while maintaining a thread of historical context.
The season aims to tackle heavy themes, including female rage and the historical contexts in which these women existed. Through Borden's story, the creators are able to engage with the societal cages women have found themselves within. Brennan's insights suggest that audiences will not just witness murder but will engage with its implications across time periods, making this narrative particularly relevant today.
Brennan's reflections on the differences in portraying female killers compared to their male counterparts indicate a unique storytelling approach. He finds it easier to convey sympathy and understanding for female characters, suggesting that their motivations are often entwined with societal pressures that resonate with modern viewers.
Monster: The Lizzie Borden Story is now streaming, and while the creators have an extensive list of potential subjects for future seasons, specific details about the next installment have not been disclosed. Brennan mentioned that selecting a focus is a rigorous process, stating, "You'd be surprised at how many subjects we start and then abandon."
Overall, with a commitment to a 10-season storytelling arc and a distinctive approach to female stories, Brennan and Murphy are positioned to challenge traditional narratives in true crime. This meticulous development promises compelling content for viewers, particularly those interested in the intersections of gender, society, and crime.
For more information on the themes and critical reception of the latest season, check out our related articles on Ryan Murphy's ‘Monster: The Lizzie Borden Story’ Centers Female Rage and ‘Monster: The Lizzie Borden Story’ Review.
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