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Director Lene Berg attends the Venice Gap-Financing Market to seek funding for her personal film, which revisits her father's traumatic past.

Norwegian director Lene Berg is participating in the Venice Gap-Financing Market, where she aims to secure the final funding needed to complete her deeply personal film, The Horsemen of the Apocalypse. Announced on September 4, 2026, by The Hollywood Reporter, this film explores themes of childhood trauma, storytelling, and memory, drawing from Berg's own experiences surrounding her father’s arrest and subsequent death.
The film combines documentary and fictional elements, with Berg’s approach mirroring the challenges of navigating complex narratives, particularly those involving her family's history. The project has been described as a visual exploration of the narratives we construct and how they affect our identities.
Berg’s father, Arnljot Berg, was a filmmaker arrested in Paris in 1975 and charged with the murder of his wife. He died by suicide in 1982, a traumatic event that has significantly influenced Lene Berg's life and work. The film delves into her memories and feelings associated with this pivotal experience, making it a challenging yet cathartic endeavor for the director.
She is not just directing but also acting in the film, with Ane Dahl Torp portraying a version of herself. The narrative appears to alternate between exploring tragic elements and seeking traces of humor in the complex interaction of familial love and trauma. This duality aims to engage audiences by provoking thought rather than providing simple resolutions.
Produced by Norway's Twentyone Pictures in collaboration with various international partners, The Horsemen of the Apocalypse has recently completed shooting, and the editing process is underway. In addition to exploring her father's story, the film addresses broader themes such as family dynamics, guilt, and the unreliable nature of memory. According to Berg’s interview with The Hollywood Reporter, her goal is to invite audiences to contemplate unresolved complexities rather than presenting a neatly wrapped narrative.
The title, inspired by documents left behind by her father, alludes to complex themes of destruction and hope, enriching the film’s layered storytelling.
At the Venice Gap-Financing Market, Berg is seeking approximately 130,000 euros ($151,000) to finalize her film. Receiving this funding is crucial for completing the editing phase and preparing the film for its eventual release. Her presence at this marketplace is not only vital for financial reasons but also represents an opportunity to engage a community of potential collaborators and supporters interested in innovative cinema.
Berg's exploration of her father's multifaceted personality, both as an influential filmmaker and a troubled individual, complicates the narrative arc, aiming to encourage audiences to ponder rather than provide them with definitive answers.
Lene Berg’s The Horsemen of the Apocalypse promises to be a significant addition to discussions surrounding personal storytelling in cinema, especially concerning trauma and memory. The film's successful funding at the Venice Gap-Financing Market is essential for its completion and future presentation to an audience that may resonate with its themes of familial complexity, loss, and the narratives we construct around our lives. As Berg continues her journey to bring her father's story and her own reflections to the screen, the film stands to become a compelling exploration of both art and emotional legacy.
For those interested in similar thematic explorations, check out Everest: The Other Side and Cédric Kahn's A Place to Heal to see how other filmmakers tackle personal narratives.
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