Netflix Confirms ‘Better Than The Movies’ Film Adaptation Details
Netflix is set to adapt Lynn Painter's best-selling novel 'Better Than The Movies,' featuring a cast led by Beatrice Kitsos and David Iacono.
Everyone’s a main character in “Too Much Sugar,” a scrappy, agitated, spikily entertaining study of an extended family with a whole community’s worth of backstory, present-tense drama, and diverging plans for the future. Only one person in it, however, has main character syndrome. That would be Ryan “Holli-wood” Hollinger, a self-styled patriarch with six children from five women.

Robert Greene’s latest documentary, ‘Too Much Sugar,’ was officially reviewed by Variety on September 3, 2026. The film provides an energetic examination of an extended family while embodying a playful approach to the complexities of family life.
The film centers around Ryan ‘Holli-wood’ Hollinger, a self-proclaimed patriarch with six children from five women. In its direct exploration of family dynamics, it makes a strong statement by questioning the in-depth narrative of fatherhood, identity, and relationships. The narrative begins as a typical sort of familial exploration but quickly pivots to delve into deeper, more nuanced themes such as grief and healing, as viewed through the lenses of various family members. Greene’s portrayal of Hollinger, who exhibits what some term ‘main character syndrome,’ complicates straightforward storytelling, as the family dynamics unfold. This leads viewers on a journey that examines the conflicting emotions that arise within complex familial bonds.
Greene is well-known for questioning the conventions of nonfiction filmmaking. In 'Too Much Sugar,' he allows each family member to create their own segments within the film, leading to a creative, layered storytelling approach that highlights various character motivations. This structure showcases contrasting perspectives on Hollinger's role within the family, prompting the audience to consider varying interpretations of fatherhood and personal identity. Greene himself notes that what starts as a film about fatherhood evolves into a collective portrait of unconventional family life, ultimately transforming the narrative into a community discussion.
As the documentary circulates in various film festivals, it is anticipated to resonate with audiences who appreciate a more communal approach to narrative filmmaking. The lively portrayal of a working-class family in Missouri, combined with Greene's fascination with performance and the artistic process, may also make it a compelling selection for festival-goers. Critics expect that its candid exploration of familial conflict could position 'Too Much Sugar' as a conversation starter in both indie and mainstream distribution channels, likely leading to broader discussions about the nature of family identity.
Robert Greene’s ‘Too Much Sugar’ not only continues his exploration of nonfiction's boundaries but also serves as a revealing yet playful examination of family. As the film navigates through its layered narrative, audiences may find themselves reflecting on their perceptions of family and identity, making it a meaningful addition to the documentary landscape. This film stands to appeal broadly, drawing interest from documentary enthusiasts and general viewers alike. Its festival run could lead to increased visibility and potential distribution contracts, although specific details have yet to be announced. For those seeking deeper insights into family dynamics, 'Too Much Sugar' promises a richly textured cinematic experience that will stimulate conversation and introspection for viewers.
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