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Tim Fehlbaum, acclaimed director of 'September 5,' is set to create a historical film in Berlin addressing the evolution of Swiss cinema and its shift towards English-language storytelling.

Tim Fehlbaum, the acclaimed director behind the award-winning film 'September 5,' has announced his next project: a historical film set in Berlin. This was revealed during a panel discussion at the Venice Production Bridge on September 6, 2026, as reported by Variety. This project marks a significant moment for Fehlbaum as he explores the complexities and nuances of Swiss cinema's shift toward English-language storytelling.
At the Venice Production Bridge, Fehlbaum participated in a panel titled "Beyond Borders: English as the New Language in Swiss Cinema?" alongside fellow Swiss directors Ursula Meier and Michael Koch. They delved into the significant trend in Swiss cinema towards English-language productions, detailing both the challenges and opportunities for filmmakers in this evolving landscape. The panel underscored how this shift is not only changing narratives but also financing opportunities in the industry.
Fehlbaum confirmed that his upcoming film will utilize both German and English, incorporating the perspective of an American character. This choice allows for a natural increase in English dialogue, making the film more accessible to international audiences while also facilitating financing. By introducing a character who lacks knowledge of German, the film can organically incorporate more English dialogue. This trend aligns with the increasing incidence of notable Swiss films, such as Petra Volpe's 'Frank & Louis' and Damien Hauser's 'Memory of Princess Mumbi,' which are predominantly shot in English.
The rising inclination towards English-language films presents both challenges and benefits, requiring filmmakers to navigate cultural nuances while appealing to a broader audience. Fehlbaum argues that the decision to employ English must remain authentic to the story, ensuring that the language choice enhances the film's narrative rather than detracts from it. He suggested that making films in English can effectively expand a director's vocabulary and storytelling potential, asserting that English affords more linguistic flexibility compared to German. However, he cautions against relying solely on AI for translation tasks, emphasizing the importance of experienced human translators in maintaining authenticity.
Fehlbaum's venture into creating a historical narrative not only signifies a personal artistic choice but also reflects broader trends in Swiss cinema’s transition toward English-language storytelling. As the film draws closer to production, its performance may reshape perceptions of Swiss cinema on a global scale and engage wider audiences. The discussions at the Venice Production Bridge highlighted the shared experiences of directors navigating the complexities of language and audience expectations, shedding light on how Swiss filmmakers are eager to adapt and innovate.
Fehlbaum's upcoming project exemplifies a critical juncture in Swiss cinema as it adapts to global narratives and audience preferences, specifically the growing acceptance and demand for English-language films. As filmmakers like Fehlbaum continue to explore these dynamics, the resulting works may pave the way for more inclusive storytelling approaches in the industry, redefining how Swiss stories are told and perceived in an international context.
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